Reading the Republic: Why Its First Word Is “I Went Down”

Published 2024-01-14 21:00 Updated 2024-01-14 22:45 1789 words 9 min read ... Page views Handwritten Every word here was typed by me.

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Across ten books Socrates builds a city on paper and answers a smaller question: why should a person be just. Even the dialogue’s first verb, “I went down”, points forward to the cave in Book VII. With a ten-book skeleton, five annotated passages, a warning about editions, and three reading habits that stuck.

1. Why I Read It

I first read the Republic as political theory. By Book V, “philosophers should be kings”, and Book VII, the cave, I decided it was a programme from 2,300 years ago, far from me, and I put it down halfway.

The second time I came back with a very concrete question: if a person could do wrong and never be found out, never punished, what reason would he still have to be good? Only then did I see that the whole book is answering that. Thrasymachus throws it onto the table at once, and Socrates spends the remaining nine books taking it apart.

One moment stays with me. On the subway I reached the cave: people chained since birth, able only to watch shadows on a wall and to take the shadows for real. I looked up at the carriage, every head bent over a phone, and blinked. The image from 2,300 years ago was still waiting for me, exactly where it had been left.

2. The Skeleton First

The Republic was written around 375 BC. It runs to ten books and is a dialogue, not a treatise. It opens in the Piraeus, at a time called “yesterday”; the main speaker is Socrates, and those he talks with include Glaucon, Adeimantus, Thrasymachus and Polemarchus. The Greek title, Politeia, is about a constitution, not a republic.

The ten books are not evenly weighted; the middle stretch, Books V to VII, carries the load. I lay it out by topic:

BookTopicKeywords
Book IWhat justice isCephalus, Polemarchus, Thrasymachus
Book IIGlaucon’s challengeThe ring of Gyges, the origin of the city
Book IIIEducating the guardiansPoetry and music, the three classes, the noble lie
Book IVThe divided soulReason, spirit, appetite; each doing its own work
Book VPhilosopher-kings, women and children in common“Philosophers must become kings”
Books VI–VIIThe Form of the Good and the caveThe sun, the divided line, the cave
Books VIII–IXFour degenerate constitutionsTimocracy, oligarchy, democracy, tyranny
Book XPoetry and the myth of ErThe exile of poets, the choice of souls
Expand: beyond the ten books, learn the voices (my own annotations)
  • Socrates: the main speaker, but rarely in a hurry to conclude; he prefers to state his opponent’s case as strongly as he can
  • Glaucon and Adeimantus: Plato’s brothers and the two hardest questioners in the book; the ring of Gyges is Glaucon’s
  • Thrasymachus: the one outright opponent, who sets the whole book alight with a single line
  • Polemarchus: takes up the thread from his father Cephalus, and stands for the common-sense view of justice
  • Cephalus: on stage only briefly, talking about wealth and old age, and setting the everyday tone at the start

One warning: Socrates seldom announces conclusions outright. More often he states the strongest case for his opponent in order to knock it down. Miss which line is Socrates’ own view and which is his rehearsal of someone else’s, and the book will look self-contradictory.

3. Passages and Marginalia

On going down: the first word of the book

“I went down yesterday to the Piraeus with Glaucon, son of Ariston, to pray to the goddess and to see the festival.”

— Book I, 327a

My own working translation.

The first verb in the book is “I went down”. An ordinary opening sentence hides a thread: all through the Republic there is a going down and a coming up — the soul sinking into appetite, or climbing out of the cave.

笔记In the cave of Book VII, the man who has been out and seen the sun must at last go down again, back into the cave, back among companions who can see only shadows. The beginning and the end: one is an image, the other a duty.

On justice: one line that sets the book alight

“I say that justice is nothing else than the interest of the stronger.”

— Book I, 338c; Thrasymachus

My own working translation.

危险This line is the fuse. It translates a moral question into a question of power: what we call “ought” is simply whoever gives the orders. Socrates spends the next nine books wrestling with it.

着重点Notice how Socrates answers. He does not deny the fact that the strong make the rules; he asks whether the strong can even get their own interest right. Accept your opponent’s fact first, then dismantle his conclusion — that is his habitual move.

On the ring: what an invisible man would do

Suppose there were two rings, each able to make its wearer invisible; give one to a just man and one to an unjust man, and see whether their choices differ at all. (paraphrase)

— Book II; the challenge Glaucon sets out

My own working paraphrase.

Glaucon is not wicked; he argues for injustice in order to force a real answer out of Socrates. He tells the story of Gyges, a shepherd who finds an invisibility ring and uses it to become king.

笔记The challenge is thoroughly modern: if there is no punishment, no reputation, no one watching, what is the good of being good? Every present-day question of the “would you cheat if no one saw” kind is an echo of this ring.

On the cave: the most famous image in the book

Picture people living from childhood in an underground cave, chained so they can only face the wall in front of them, taking the shadows cast by a fire behind them to be the real things. (paraphrase)

— Book VII, the allegory of the cave

My own working paraphrase.

The story has been retold for thousands of years, and most people remember only its first half. What matters is the second: a man breaks his chains, leaves the mouth of the cave, sees the sun — and is then required to go back and tell the others.

笔记The cave is about grades of knowledge: shadows, objects, firelight, sun, each more real than the last. It is also a story about responsibility. Whoever has seen the truth must risk ridicule and go down again.

On the philosopher-king: the line most argued over

“Unless philosophers become kings, or kings become philosophers, cities will have no rest from their evils.”

— Book V, 473c–d

My own working translation.

危险The most misread line in the book. It is often taken as a slogan for rule by experts; in fact Socrates adds at once that such people take power not because they want it, but because otherwise they will be ruled by worse men.

My note: the line is dangerous precisely because it is so useful — anyone can claim to be the one who knows, and anyone can use it to tell the others to be quiet. Plato seems to have seen this, since he has the proposal described at the start of Book V as something that would draw a storm of laughter.

Does the cave lead to freedom, or to the philosopher-king?

Two camps. One (Popper, in The Open Society and Its Enemies) holds that Plato sets a man who has seen the truth above everyone else, and that this is the seed of totalitarian thinking. The other says Socrates is building a city “in the soul”, a way of talking about the self, not a policy to be enacted. My reading: set aside the question of who should rule, and take only what it asks of an individual — would you carry the risk of being misunderstood for a truth you cannot prove to anyone else?

One trap in translations

There are many versions, and the first gate is the title. The Greek Politeia is about a constitution; through the Latin res publica it became the English Republic, and then the Chinese “ideal state”. Every step shifted it, and the last name invites you to think it is a utopian blueprint when it is mostly an argument about justice. The second gate is terminology: one Greek word is rendered “justice” or “fairness”, and θυμός becomes “passion”, “spirit” or “fire”. Those choices change how you read the divided soul. To choose a version, turn to Book IV and see how it renders the three parts1.

4. Three Reading Habits That Actually Stuck

  1. Read it as “why be good”, not as political theory. The spine of the book is an ethical question: when no one is watching, why should a person still be just? Keep “who should rule” as a side thread and the spine will not slip.
  2. Treat the city as a person writ large. Every fault in the city can be matched to one of the three parts of the soul. When you read a passage about the city, ask in passing which kind of person it describes.
  3. Keep track of who is speaking. Socrates often states his opponent’s case at full strength before dismantling it. While reading, watch who is speaking rather than whether the sentence is right, or you will read a debate as one man talking to himself.

5. Closing

Closing the book changed one of my habits of asking. Where a moral argument once made me ask first “what is right”, now I ask first: is the speaker sitting in the cave, or just out of it and being called back in? The same conclusion, spoken from a different place, persuades very differently.

Next: Hamlet. Again a person driven to act by something whose truth he cannot establish — in one case shadows in a cave, in the other a ghost on the battlements. I want to see what Shakespeare, two thousand years later, made of that question.

Footnotes

  1. Terminology sometimes weighs more than the sentences. Render δικαιοσύνη as justice or fairness, ἐπιστήμη as knowledge or cognition, θυμός as spirit or passion, and each choice tugs at a whole book’s argument. It is why many readers fail to understand Book IV on a first pass: not because the argument is hard, but because a few key words have not been pinned down. ↩

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